{"id":354,"date":"2026-11-07T04:34:38","date_gmt":"2026-11-07T03:34:38","guid":{"rendered":"https:\/\/peterklashorst.com\/life-and-work\/exhibitions-and-press\/"},"modified":"2026-11-09T10:47:44","modified_gmt":"2026-11-09T09:47:44","slug":"exhibitions-and-press","status":"publish","type":"page","link":"http:\/\/peterklashorst.com\/en\/life-and-work\/exhibitions-and-press\/","title":{"rendered":"Exhibitions &#038; press"},"content":{"rendered":"<p class=\"wp-block-paragraph\">Peter Klashorst exhibited from the early 1980s until the last years of his life, in museums, galleries, artist-run spaces, clubs and even a former prison. This overview collects the exhibitions, publications and press we have been able to document. It is a work in progress: if you have a catalogue, poster or article, please <a href=\"\/en\/contact\/\">let us know<\/a>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Selected exhibitions<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Early 1980s<\/strong> \u2013 first exhibitions in the Netherlands while still at the Rietveld Academy; Buning Brongers Prize (1982) and Royal Subsidy for Free Painting (1983).<\/li>\n\n<li><strong>1980s<\/strong> \u2013 exhibitions in New York, among others together with Jeff Koons.<\/li>\n\n<li><strong>1989<\/strong> \u2013 exhibitions of Bart Domburg, Jurriaan van Hall and Peter Klashorst at the Amsterdam galleries Jurka, Hans Gieles and Torch (catalogue <em>After Nature<\/em>).<\/li>\n\n<li><strong>Amsterdam<\/strong> \u2013 Klashorst ran his own gallery, Cash &amp; Carry, in the Tabakspanden on the Spuistraat.<\/li>\n\n<li><strong>2013\u20132015<\/strong> \u2013 Peter Klashorst Gallery, Spuistraat 219, Amsterdam: a project space a few steps from Dam Square with short, rapidly changing solo and group shows of Klashorst and of established and young artists, alongside dance, action painting and music nights. In 2015 the landlord sought to evict the gallery for renovation; on 26 March 2015, the day the appeal was heard, Klashorst opened his own show <em>De Criminogene Convenant \u2013 100 $ Klashorst Show<\/em> there.<\/li>\n\n<li><strong>2011<\/strong> \u2013 around fifty portraits at the Tuol Sleng Genocide Museum (S-21), Phnom Penh, Cambodia, in honour of the victims of the Khmer Rouge.<\/li>\n\n<li><strong>2016<\/strong> \u2013 solo exhibition at Kunsthalle Ludwig, Frankfurt-H\u00f6chst, Germany (16\u201330 September).<\/li>\n\n<li><strong>2016<\/strong> \u2013 <em>Van Gogh in the Gambia with Klashorst<\/em>, Alliance Fran\u00e7aise, Banjul, the Gambia, with Ngala Lodge (November).<\/li>\n\n<li><em>Untergang der Niederlande<\/em> and <em>Verboden op Facebook!<\/em> \u2013 Studio George Heidweiller, Ruysdaelstraat 34, Amsterdam (Saturday 29 October).<\/li>\n\n<li><em>Klashorst<\/em> \u2013 Part2Gallery, D\u00fcsseldorf, Germany (opening 27 April).<\/li>\n\n<li><em>Nachtbr\u00f6tchen artist Peter Klashorst<\/em> \u2013 NDSM Loods, Amsterdam (1\u20133 July).<\/li>\n\n<li><em>Once upon a time<\/em> \u2013 closing party, Vrij Paleis, Paleisstraat 107, Amsterdam (29 August).<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-3 wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"491\" height=\"922\" data-id=\"336\" src=\"https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/9a561049-7eea-406b-9e1c-d03eef6946e9.jpeg\" alt=\"Part2Gallery, D\u00fcsseldorf\" class=\"wp-image-336\" srcset=\"https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/9a561049-7eea-406b-9e1c-d03eef6946e9.jpeg 491w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/9a561049-7eea-406b-9e1c-d03eef6946e9-160x300.jpeg 160w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/9a561049-7eea-406b-9e1c-d03eef6946e9-6x12.jpeg 6w\" sizes=\"(max-width: 491px) 100vw, 491px\" \/><figcaption class=\"wp-element-caption\">Part2Gallery, D\u00fcsseldorf<\/figcaption><\/figure>\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" data-id=\"339\" src=\"https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/IMG_7167-768x1024.jpeg\" alt=\"Alliance Fran\u00e7aise, Banjul (2016)\" class=\"wp-image-339\" srcset=\"https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/IMG_7167-768x1024.jpeg 768w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/IMG_7167-225x300.jpeg 225w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/IMG_7167-9x12.jpeg 9w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/IMG_7167-600x800.jpeg 600w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/IMG_7167.jpeg 852w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><figcaption class=\"wp-element-caption\">Alliance Fran\u00e7aise, Banjul (2016)<\/figcaption><\/figure>\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"960\" data-id=\"341\" src=\"https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/IMG_7148.jpeg\" alt=\"Studio George Heidweiller, Amsterdam\" class=\"wp-image-341\" srcset=\"https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/IMG_7148.jpeg 720w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/IMG_7148-225x300.jpeg 225w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/IMG_7148-9x12.jpeg 9w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/IMG_7148-600x800.jpeg 600w\" sizes=\"(max-width: 720px) 100vw, 720px\" \/><figcaption class=\"wp-element-caption\">Studio George Heidweiller, Amsterdam<\/figcaption><\/figure>\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"724\" height=\"1024\" data-id=\"340\" src=\"https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/IMG_7152-724x1024.jpeg\" alt=\"Studio George Heidweiller, Amsterdam\" class=\"wp-image-340\" srcset=\"https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/IMG_7152-724x1024.jpeg 724w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/IMG_7152-212x300.jpeg 212w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/IMG_7152-768x1087.jpeg 768w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/IMG_7152-1085x1536.jpeg 1085w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/IMG_7152-8x12.jpeg 8w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/IMG_7152-600x849.jpeg 600w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/IMG_7152.jpeg 1447w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><figcaption class=\"wp-element-caption\">Studio George Heidweiller, Amsterdam<\/figcaption><\/figure>\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"768\" data-id=\"337\" src=\"https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/0f5320a3-f705-4c83-bde7-552beee38c76-768x768.jpeg\" alt=\"Nachtbr\u00f6tchen, NDSM Loods, Amsterdam\" class=\"wp-image-337\" srcset=\"https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/0f5320a3-f705-4c83-bde7-552beee38c76-768x768.jpeg 768w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/0f5320a3-f705-4c83-bde7-552beee38c76-300x300.jpeg 300w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/0f5320a3-f705-4c83-bde7-552beee38c76-150x150.jpeg 150w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/0f5320a3-f705-4c83-bde7-552beee38c76-12x12.jpeg 12w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/0f5320a3-f705-4c83-bde7-552beee38c76-600x600.jpeg 600w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/0f5320a3-f705-4c83-bde7-552beee38c76-100x100.jpeg 100w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/0f5320a3-f705-4c83-bde7-552beee38c76.jpeg 1000w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><figcaption class=\"wp-element-caption\">Nachtbr\u00f6tchen, NDSM Loods, Amsterdam<\/figcaption><\/figure>\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"750\" data-id=\"345\" src=\"https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/0f50e0cc-4f7d-45b6-89d4-f06e0aeac6c4-1024x750.jpeg\" alt=\"Vrij Paleis, Amsterdam\" class=\"wp-image-345\" srcset=\"https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/0f50e0cc-4f7d-45b6-89d4-f06e0aeac6c4-1024x750.jpeg 1024w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/0f50e0cc-4f7d-45b6-89d4-f06e0aeac6c4-300x220.jpeg 300w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/0f50e0cc-4f7d-45b6-89d4-f06e0aeac6c4-768x563.jpeg 768w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/0f50e0cc-4f7d-45b6-89d4-f06e0aeac6c4-1536x1125.jpeg 1536w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/0f50e0cc-4f7d-45b6-89d4-f06e0aeac6c4-16x12.jpeg 16w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/0f50e0cc-4f7d-45b6-89d4-f06e0aeac6c4-600x440.jpeg 600w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/0f50e0cc-4f7d-45b6-89d4-f06e0aeac6c4.jpeg 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Vrij Paleis, Amsterdam<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Curriculum vitae 1977\u20131992<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Klashorst studied at the Gerrit Rietveld Academie in Amsterdam from 1976 to 1981. The overview below is based on his own CV from the early 1990s and covers the first fifteen years of his career, when he showed in Amsterdam and New York almost every year.<\/p>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Solo exhibitions 1980\u20131992<\/summary>\n<ul class=\"wp-block-list\">\n<li><strong>1980<\/strong> \u2013 Museum Fodor, Amsterdam, NL<\/li>\n\n<li><strong>1981<\/strong> \u2013 Museum Fodor, Amsterdam, NL<\/li>\n\n<li><strong>1983<\/strong> \u2013 Kunstmanifestatie Nieuwe Kerk, Amsterdam (Galerie Jurka), NL; Lucky Strike, New York, USA; Galerie Het Venster, Rotterdam, NL; Daniel Newburg Gallery, New York, USA<\/li>\n\n<li><strong>1984<\/strong> \u2013 Galerie Jurka, Amsterdam, NL; Galeria International With Monument and ABC No Rio, New York, USA; Daniel Gallery, New York, USA<\/li>\n\n<li><strong>1985<\/strong> \u2013 ABC No Rio, New York, USA; Daniel Newburg Gallery, New York, USA<\/li>\n\n<li><strong>1986<\/strong> \u2013 Galerie Daniel Buchholz, Cologne, Germany; Daniel Newburg Gallery, New York, USA<\/li>\n\n<li><strong>1987<\/strong> \u2013 Galerie Hans Gieles, Amsterdam, NL; International With Monument, New York, USA<\/li>\n\n<li><strong>1988<\/strong> \u2013 Daniel Newburg Gallery, New York, USA<\/li>\n\n<li><strong>1989<\/strong> \u2013 Palais Harrach, Vienna, Austria; \u2018Stal let it be\u2019, Ruigoord, NL; Daniel Newburg Gallery, New York, USA<\/li>\n\n<li><strong>1990<\/strong> \u2013 KunstRAI, Amsterdam (Galerie Jurka), NL; Galerie Leyendecker, Tenerife, Spain; Galerie Jurka, Amsterdam, NL; Daniel Newburg Gallery, New York, USA<\/li>\n\n<li><strong>1991<\/strong> \u2013 Galerie Heijenbrok, Amsterdam, NL<\/li>\n\n<li><strong>1992<\/strong> \u2013 The Frozen Fountain, Amsterdam (opening exhibition), NL; Galerie Heijenbrok, Amsterdam, with Gerald van der Kaap, NL<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Group exhibitions 1977\u20131992<\/summary>\n<ul class=\"wp-block-list\">\n<li><strong>1977<\/strong> \u2013 Nieuwe Golf, Groot Heiligland, Haarlem, NL; Galerie Barend Schulenklopper, Deventer (with Maarten Ploeg), NL<\/li>\n\n<li><strong>1981<\/strong> \u2013 Galerie Jurka, Amsterdam (with Maarten Ploeg), NL; Groninger Museum, Groningen, NL; Museum Het Kruithuis, \u2018Jonge Schilderkunst\u2019, NL<\/li>\n\n<li><strong>1982<\/strong> \u2013 Galerie Schulenklopper, Deventer (with Maarten Ploeg), NL; Galerie \u2019t Soephuis, Groningen (with Maarten Ploeg), NL; Galerie Jurka, Amsterdam (installations with Maarten Ploeg), NL; Museum Het Kruithuis, \u2019s-Hertogenbosch, \u2018Ik schilder dus ik ben\u2019, NL; Nieuwe Kerk, Amsterdam (Galerie Jurka), Kunstmanifestatie I, NL; Galerie Artline, The Hague, \u2018Fantasmoria\u2019, NL<\/li>\n\n<li><strong>1983<\/strong> \u2013 Galerie Jurka, Amsterdam, \u2018Zufyr\u2019, NL; Galerie Jurka as guest of Galerie Raab, Berlin, Germany; Galerie \u2019t Venster, Rotterdam, \u2018De Goddelijke Komedie\u2019, NL; Galerie Jurka, Amsterdam (with Peter Zegveld and Jan van der Pool), NL; Galerie Totah, London, UK<\/li>\n\n<li><strong>1984<\/strong> \u2013 \u2018Over Schilderkunst\u2019, Gemeentemuseum Arnhem and De Librije, Zwolle (contemporary art), NL<\/li>\n\n<li><strong>1985<\/strong> \u2013 Stedelijk Museum Amsterdam, \u2018Wat Amsterdam betreft \/ As far as Amsterdam goes\u2019, NL; Galerie AORTA, Amsterdam, \u2018Cover\/Doppelg\u00e4nger\u2019 and \u201824 uur\u2019, NL; ABC No Rio, New York, USA<\/li>\n\n<li><strong>1987<\/strong> \u2013 Stedelijk Museum Amsterdam, \u2018Een grote aktiviteit\u2019, NL<\/li>\n\n<li><strong>1988<\/strong> \u2013 Galerie Jurka, Amsterdam, NL<\/li>\n\n<li><strong>1989<\/strong> \u2013 Galerie Torch, Amsterdam, \u2018Interieur en Naakt\u2019, NL; Galerie Jurka, Amsterdam, NL; Galerie Hans Gieles, Amsterdam, \u2018Nieuwe Schilderijen\u2019, NL; Galerie Torch, Cologne, Germany; East Side Gallery, New York, USA; Galerie Niki Diana Marquardt, Paris, France, \u2018Viva Baudrillard\u2019<\/li>\n\n<li><strong>1990<\/strong> \u2013 Palais Harrach, Vienna, Austria; Museum of Modern Art, Las Palmas, Spain, \u2018Back to the future\u2019; Studio Jan des Bouvrie, Bussum, NL; Studio RAI, Amsterdam, NL<\/li>\n\n<li><strong>1991<\/strong> \u2013 KunstRAI, Amsterdam, NL; Arti et Amicitiae, Amsterdam, \u2018Rook aan de Horizon\u2019, NL; Holland-Amerika Lijn, Rotterdam, \u2018100 jonge schilders onder \u00e9\u00e9n doek\u2019, NL; Expo Henk, Rotterdam, NL; Galerie Rotta, Rotterdam, NL<\/li>\n\n<li><strong>1992<\/strong> \u2013 Galerie Daniel Newburg, New York, USA; Witzenhausen Meijerink Art Space, Amsterdam, \u2018Het Debuut\u2019, NL; Galerie de Stelling, Leiden, NL; Stedelijk Museum Gouda, \u2018Keuzemomenten van dubbeltalenten\u2019, NL; Beurs van Berlage, Amsterdam, \u2018Art for ASAP\u2019 and \u2018A Propos Portret II\u2019, NL; Reflex Modern Art Gallery, Amsterdam, NL; Moderna Galerija, Ljubljana, Slovenia; Gallery A.N., Los Angeles, USA; Container Art, Amsterdam, NL; C\u00edrculo de Bellas Artes, Madrid, Spain; Landhuis Sonsbeek, \u2018100 jonge schilders\u2019, NL; Line Art \u201992, Ghent, Belgium; Art Fair Los Angeles, USA; Art Fair Autotron, Rosmalen, NL; Arti et Amicitiae, Amsterdam, NL; Galerie Heijenbrok, Amsterdam, NL; Museum Fodor, Amsterdam, NL; Stedelijk Museum Amsterdam, NL; Museum De Wieger, Deurne, \u2018Onrust\u2019, NL<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Press 1981\u20131992<\/summary>\n<p class=\"wp-block-paragraph\">Between 1981 and 1992 Klashorst and his band Soviet Sex were written about in, among others, Het Parool, NRC Handelsblad, de Volkskrant, De Telegraaf, Trouw, Algemeen Dagblad, Vrij Nederland, Haagse Post, De Groene Amsterdammer, Elsevier, Nieuwe Revu, Financieel Dagblad, Oor, Vinyl, VPRO Gids, Kunstbeeld, Metropolis M, Museumjournaal, Code, Elle, Playboy, Camera Austria (Austria), Lib\u00e9ration (France), Artforum, Art in America, The Village Voice and the Los Angeles Times (USA).<\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Television<\/summary>\n<ul class=\"wp-block-list\">\n<li><strong>1990<\/strong> \u2013 NOS, Het Klokhuis; NCRV, Passage<\/li>\n\n<li><strong>1991<\/strong> \u2013 NOS, Janssen en Co; AVRO, Glamourland (Aids benefit, Roxy, Amsterdam)<\/li>\n\n<li><strong>1992<\/strong> \u2013 NCRV, Kunstbende; KMBC TV channel 8, Los Angeles, USA<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Prizes<\/summary>\n<ul class=\"wp-block-list\">\n<li><strong>1982<\/strong> \u2013 Titia Buning-Brongers Prize<\/li>\n\n<li><strong>1983<\/strong> \u2013 Royal Subsidy for Free Painting (Koninklijke Subsidie voor de Vrije Schilderkunst)<\/li>\n\n<li><strong>1991<\/strong> \u2013 Best designed agenda\/catalogue, Stichting Collectieve Propaganda van het Nederlandse Boek<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Catalogues<\/summary>\n<ul class=\"wp-block-list\">\n<li><strong>1987<\/strong> \u2013 Stedelijk Museum Amsterdam, <em>Een grote aktiviteit<\/em><\/li>\n\n<li><strong>1989<\/strong> \u2013 <em>After Nature<\/em><\/li>\n\n<li><strong>1990<\/strong> \u2013 Studio Jan des Bouvrie<\/li>\n\n<li><strong>1991<\/strong> \u2013 <em>100 jonge Nederlandse schilders \u201991\/\u201992<\/em>; agenda\/catalogue <em>Raiders of the lost art<\/em> (W.M. Productions)<\/li>\n\n<li><strong>1992<\/strong> \u2013 <em>Art for ASAP<\/em>; <em>Keuzemomenten van dubbeltalenten<\/em> (Stedelijk Museum Gouda); Miniatuurmuseum (Reflex Modern Art Gallery); C\u00edrculo de Bellas Artes, Madrid; <em>100 jonge Nederlandse schilders \u201992\/\u201993<\/em>; <em>Line Art \u201992<\/em>; Stedelijk Museum Amsterdam, <em>Nieuwe aanwinsten<\/em>; Museum De Wieger, <em>Onrust<\/em><\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Work in public collections<\/summary>\n<ul class=\"wp-block-list\">\n<li>Stedelijk Museum Amsterdam<\/li>\n\n<li>Academic Medical Center (AMC), Amsterdam<\/li>\n\n<li>Sanders collection<\/li>\n\n<li>Rijksaankopen 1985 (state acquisitions of contemporary art), shown at the Logement van de Heren van Amsterdam, The Hague<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Other activities<\/summary>\n<ul class=\"wp-block-list\">\n<li>Paintings and stage design for the ballet production <em>George<\/em> (Stichting Dansprodukties Amsterdam)<\/li>\n\n<li>Discotheek Bizar<\/li>\n\n<li>Comic magazine <em>Topeloeng<\/em>, with Maarten Ploeg<\/li>\n\n<li>PKP TV<\/li>\n<\/ul>\n<\/details>\n\n\n\n<h2 class=\"wp-block-heading\">Press<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u201cEin provokanter K\u00fcnstler\u201d, Frankfurt, 27 September 2016 \u2013 on the exhibition at Kunsthalle Ludwig in H\u00f6chst.<\/li>\n\n<li>\u201cThe Walking Dead\u201d, <em>International Herald Tribune<\/em> \/ <em>The New York Times<\/em>, 23 April 2011 \u2013 on the S-21 portraits.<\/li>\n\n<li><a href=\"https:\/\/thepoint.gm\/africa\/gambia\/article\/van-gogh-holds-premier-exhibition-in-gambia\" target=\"_blank\" rel=\"noopener\">\u201cVan Gogh holds premier exhibition in Gambia\u201d<\/a>, <em>The Point<\/em> (the Gambia), November 2016.<\/li>\n\n<li>Menno Voskuil, \u201cKunstkannibaal Klashorst\u201d, <em>Accolade<\/em>, December 2022.<\/li>\n\n<li><a href=\"https:\/\/www.nhnieuws.nl\/nieuws\/321167\/na-dertig-jaar-spettert-legendarisch-kunstenaarscollectief-after-nature-even-als-vanouds\" target=\"_blank\" rel=\"noopener\">\u201cNa dertig jaar spettert legendarisch kunstenaarscollectief After Nature even als vanouds\u201d<\/a>, NH Nieuws, 28 June 2023.<\/li>\n\n<li><a href=\"https:\/\/nos.nl\/l\/2536814\" target=\"_blank\" rel=\"noopener\">\u201cKunstenaar Peter Klashorst (67) overleden\u201d<\/a>, NOS, 12 September 2024.<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image alignwide size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1007\" height=\"1024\" src=\"https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/IMG_7037-1007x1024.jpeg\" alt=\"\u201cEin provokanter K\u00fcnstler\u201d \u2013 Frankfurt, 27 September 2016\" class=\"wp-image-342\" srcset=\"https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/IMG_7037-1007x1024.jpeg 1007w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/IMG_7037-295x300.jpeg 295w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/IMG_7037-768x781.jpeg 768w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/IMG_7037-1511x1536.jpeg 1511w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/IMG_7037-2014x2048.jpeg 2014w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/IMG_7037-12x12.jpeg 12w, https:\/\/peterklashorst.com\/wp-content\/uploads\/2026\/11\/IMG_7037-600x610.jpeg 600w\" sizes=\"(max-width: 1007px) 100vw, 1007px\" \/><figcaption class=\"wp-element-caption\">\u201cEin provokanter K\u00fcnstler\u201d \u2013 Frankfurt, 27 September 2016<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Books and publications<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Schilderen met acryl<\/em> (Utrecht, 1997).<\/li>\n\n<li>Robert Vuijsje, <em>King Klashorst<\/em> (Amsterdam), biography.<\/li>\n\n<li><em>Castles in the Air<\/em> (Bangkok, 2010).<\/li>\n\n<li><em>Kunstkannibaal<\/em> (Prometheus, 2011), novel.<\/li>\n\n<li><em>Painters Tales<\/em> (2016), illustrated stories in comic-book style.<\/li>\n\n<li><em>Dirty Diaries<\/em> (2020), privately published art book with stories in English.<\/li>\n\n<li>Michael Klinkhamer, <em>Peter Klashorst \u2013 Portraits of Ghosts, S-21 Phnom Penh-Cambodia<\/em> (2022, revised 2023), photo essay on the S-21 exhibition.<\/li>\n\n<li>Comics in <em>De Topeloeng<\/em> (1976) and <em>Speedo<\/em> (late 1970s); see the <a href=\"https:\/\/www.lambiek.net\/artists\/k\/klashorst_peter.htm\" target=\"_blank\" rel=\"noopener\">Lambiek Comiclopedia<\/a>.<\/li>\n<\/ul>","protected":false},"excerpt":{"rendered":"<p>Peter Klashorst exhibited from the early 1980s until the last years of his life, in museums, galleries, artist-run spaces, clubs and even a former prison. This overview collects the exhibitions, publications and press we have been able to document. It is a work in progress: if you have a catalogue, poster or article, please let [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":290,"menu_order":7,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-354","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/peterklashorst.com\/en\/wp-json\/wp\/v2\/pages\/354","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/peterklashorst.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/peterklashorst.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/peterklashorst.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/peterklashorst.com\/en\/wp-json\/wp\/v2\/comments?post=354"}],"version-history":[{"count":2,"href":"http:\/\/peterklashorst.com\/en\/wp-json\/wp\/v2\/pages\/354\/revisions"}],"predecessor-version":[{"id":393,"href":"http:\/\/peterklashorst.com\/en\/wp-json\/wp\/v2\/pages\/354\/revisions\/393"}],"up":[{"embeddable":true,"href":"http:\/\/peterklashorst.com\/en\/wp-json\/wp\/v2\/pages\/290"}],"wp:attachment":[{"href":"http:\/\/peterklashorst.com\/en\/wp-json\/wp\/v2\/media?parent=354"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}